Garden of Artistic Delights

One of the highlights of the gardening season for me is the Garden Conservancy’s Open Days program, and yesterday’s marathon tour of nine gardens in West Roxbury and Milton, MA did not disappoint! I came home exhausted and exhilarated, my head swimming with tips from garden owners, snippets of conversations with fellow visitors, and a plethora of the new design ideas, horticultural finds and plant combinations that I had seen throughout the day.

Although all the gardens were beautiful and interesting in their own ways, there is always one garden that really captures my fancy. Yesterday it was the West Roxbury garden of Christie Dustman, a professional garden designer, and Patti Ryan, a professional furniture maker. 

Their small garden, surrounding a historic home boldly trimmed in teal and purple, was packed to the brim with artistry, unusual specimens and fantastic plant combinations. The owners’ zeal for conifers (they are members of the Conifer Society) was evident in a collection of more than fifty unusual trees and shrubs, from towering weeping cedars to miniature yews.

But it was the whimsical use of cast-off items, like basketball hoops and organ pipes, that elicited the most “oohs and ahhs”.

The garden was a complex array of vignettes created from repurposed salvage store finds and hand-built creations masterfully laid out in a small space – a delight for the artist, designer and plant collector alike! If you have a chance to see this garden next year, don’t hesitate!

I am happy to support the Garden Conservancy as a member as well as a garden visitor. The Garden Conservancy was founded in 1989 to preserve exceptional American gardens for the education and enjoyment of the public.

The Conservancy partners with gardeners, horticulturists, landscape designers, historians, preservationists, and local organizations to preserve gardens; to share magnificent spaces and gardening ideas with the public through Open Days and other educational programs; and to raise public awareness of the important role gardens play in America’s cultural and natural heritage.

Since 1995, the Open Days program has spread the garden preservation message by providing access to some of America’s finest private gardens. Each year, hundreds of garden owners from coast to coast open their magnificent spaces to more than 75,000 visitors.

Next weekend I will tour the Open Day gardens in Hartford, Conn. and the Rose Garden in Elizabeth Park. Hope to see some of you there!

Spring Perennials Dazzle “En Masse”!

Like most novice gardeners, I began my gardening hobby by collecting one of every new perennial that I found. I was intrigued by the countless varieties of blossom, leaf shape, size and habit that existed in the plant world, and driven by the “plant lust” that many gardeners share. Weekends were spent digging new garden beds to contain the growing collections. While I enjoyed my new acquisitions, I was never really happy about the way that my garden looked overall. The wide variety of plants looked great in my friends’ small gardens, but somehow did not work in mine.

Tiarella under a Kousa dogwood at the  Brooklyn Botanic Garden

Tiarella under a Kousa dogwood at the  Brooklyn Botanic Garden

As my garden grew to encompass my one and a half acres, I realized that mass plantings were the missing ingredient in my overall garden design. Visiting other gardens, particularly public gardens, has shown me that massing perennials has terrific impact. If you have a large garden, the plants must be arranged in significant groupings because the garden beds are viewed from a greater distance. Garden books recommend planting perennials of groups of three or more, but in a large garden, that group may be 30 or more for best effect.

Erythronium at Carolyn's Shade Gardens, Wayne, PA

Erythronium at Carolyn's Shade Gardens, Wayne, PA

Now as I tour gardens, I am obsessed with the power of mass plantings. Spring blooming perennials are really well suited for this design technique. Many of them are small plants with delicate flowers that will look lost in a large garden. See how wonderful they look en masse!

Grape hyacinths at Chanticleer outside of Philadelphia

Grape hyacinths at Chanticleer outside of Philadelphia

Solomon's Seal, Brooklyn Botanic Garden

Solomon's Seal, Brooklyn Botanic Garden

Primroses, Carolyn's Shade Gardens, Wayne, PA

Primroses, Carolyn's Shade Gardens, Wayne, PA

Bigroot geranium at Margaret Roach's garden, New York

Bigroot geranium at Margaret Roach's garden, New York

Epimedium roseum and bleeding hearts at Chanticleer

Epimedium roseum and bleeding hearts at Chanticleer

Pulmonaria at Broccoli Hall, a private garden in Dutchess County, NY

Pulmonaria at Broccoli Hall, a private garden in Dutchess County, NY

Ferns and forget-me-nots at Broccoli Hall

Ferns and forget-me-nots at Broccoli Hall

Trilliums at Broccoli Hall

Trilliums at Broccoli Hall

Primroses and vancouveria at Stonecrop Garden in New York

Primroses and vancouveria at Stonecrop Garden in New York

Creating a Jewelbox Entry Garden

Entry gardens are a challenge to design because they need to be interesting in all seasons. But they also provide a wonderful opportunity to showcase tiny interesting specimens that would be lost in a distant landscape.

We were delighted when our friend Deborah asked for assistance in designing a new entry garden for her suburban home. In addition to new foundation plantings, Deborah needed help with a small entry garden bed that is the focal point of her front yard.

The entry bed is a highly visible triangle bordered by the driveway, the walkway to the front door, and a winding brick path that Deborah installed herself. Mounded in the center, it has good drainage and dappled sunlight for most of the day. Deborah likes Asian-inspired gardens, and wanted to incorporate her ‘Crimson Queen’ Japanese maple, creeping phlox, hostas, and an unusual collection of geodes inherited from her grandfather.

Above, Deborah’s previous garden had included mostly sun-loving perennials that bloomed briefly and then blended into a mass of green. We wanted to give her garden interest throughout the seasons with fabulous colored foliage, different textures and a variety of plant forms.

Because the garden is so highly visible at close range, we came up with the concept of creating a “jewelbox” entry garden – a collection of small specimen plants with intricate details that delight the eye upon close inspection.

We decided to incorporate plants that would evoke an Asian garden. We chose a color scheme of yellows and maroons to complement Deborah’s house colors. And we came up with the concept of a large tufa trough that would serve as a focal point for the bed and unite several groupings of geologic specimens.

Hypertufa troughs look like stone, but are actually made of peat moss, perlite and Portland cement, so they are much lighter than they appear. Ours is filled with hens and chicks, mini hostas and a miniature carex.

Small objects in a garden, like these geodes, are more effective when grouped.

Although newly planted, the new garden already has interest from the variety of forms.

Our plant palette consists of spiky plants such as daylilies, dwarf iris, and blue fescue; low creeping plants such as sedum ‘Angelina’, creeping wooly thyme and Irish moss; large-leaved plants such as hostas and coral bells; and feathery plants such as Japanese painted fern and miniature conifers. As the plants mature, they will create a complex tapestry of colors and shapes.

Shades of maroon from the Japanese maple, red fountain grass, heuchera ‘Stormy Seas’ and the winter color of bergenia complement the home's brick façade and maroon shutters and doors.

Glimmers of gold from hosta ‘Great Expectations’, hanoke ‘All Gold’, heucherella ‘Sunspot’, yellow dwarf iris, and ‘Happy Returns’ daylilies echo the creamy yellow siding.

Four season interest will begin with miniature conifers and hellebores in winter; snowdrops, mini daffodils, creeping phlox, epimediums and bergenia in spring; alliums, irises, Astilbe ‘Key West’ and daylilies in summer; and hanoke grass, blue fescue, black mondo grass and ground-hugging sedums in fall.

Unusual miniatures include alpine lady’s mantle, carex ‘Beatlemania, and mini hostas ‘Stilleto’. 'Kii Hime', 'GinkoCraig', ‘Lakeside Cha Cha Downsized’ and 'Lakeside Baby Face'.

​The jewelbox garden is grounded by a simple foundation planting of ‘Green Lustre’ hollies, hydrangea ‘Quickfire’ astilbes and epimediums, along with a hosta hedge that was already on the property.


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July is Perfect for Dividing Bearded Iris

Bearded irises are relatively easy garden plants to grow, and will give good results with a minimum of care. My collection of irises came about through the generosity of a fellow gardener – an elderly gentleman from the Historical Society. We met at a Society function during my first spring in town, and found that we shared a common hobby. On a sultry, hot day in mid-summer, he dropped by with several trash bags filled with iris rhizomes. His mother had been an Iris Society member and avid collector, so the irises that he inherited and then shared with me were heirloom plants and unusual varieties. Twenty years later, their dazzling pale pink, frosty blue and midnight purple blooms light up my garden in late spring.

Here in Massachusetts, July and August are the best months of the year to plant new iris rhizomes and divide overcrowded clumps. The irises have finished flowering, and are usually dormant during the heat of the peak summer months. Iris rhizomes that are planted now have plenty of time to have their roots well established before the end of the growing season.

Bearded iris should be divided when they become overcrowded, usually after three to five years. At this point, their bloom will decline. Dividing them is not difficult, since the plants have fairly shallow root systems. I follow these steps:

1.     To divide a mature clump, carefully lift the entire plant out of the ground. I like to use a spading fork for this job, as it does not cut the roots.

2.     Next, rinse the soil off the rhizomes so that you can see any diseased areas.

3.     Separate old, exhausted, unproductive rhizomes from new, young growth.

4.     Cut off any portions that are brown inside and discard.

5.     Slice the healthy portions into chunks about 3” in length. Make sure each piece has its own roots and leaves.

6.     Prepare a planting site in full sun where the soil has excellent drainage – raised beds and slopes are ideal for this. Amend the soil with compost.

7.     Space the plants 12-24 inches apart. Clumps of three plants set in a triangle with the rhizomes facing into the center makes an attractive grouping.

8.     Lay each rhizome horizontally in its own shallow hollow. It needs to be half-buried so that the back of each rhizome is visible (like a floating whale). Tamp the roots firmly into the ground to anchor the rhizome.

9.     Trim the leaves to about 6”. This will reduce transpiration while the plant is becoming established.

10.     Keep well watered. Newly planted rhizomes need moisture for their root systems to develop. Once established, irises should be watered when the top three inches of soil dry out. Over-watering irises is a common mistake once and will lead to rot.

11.     Fertilize with superphosphate or a well-balanced fertilizer with an N-P-K ration of 10-10-10. Avoid fertilizers high in nitrogen as they encourage soft growth that is susceptible to disease.

Bearded iris are a great addition to the garden with their beautiful flowers in spring, and their bold, vertical foliage throughout the growing season. Dividing your plants regularly will keep them vigorous and healthy and provide you with years of enjoyment!


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Inspiring Containers from Chanticleer

I was astounded by the beauty of the container plantings at Chanticleer Garden in Wayne, Penn.  Although it was only mid-April, there were dozens of richly planted pots throughout the garden. The containers themselves ranged from formal urns to terracotta, glazed ceramics and modern metals. Many were grouped or strategically placed to enhance the garden's design. I hope that you will be inspired to create your own artistic contained gardens!

Orange tulips, red lettuce and herbs complement the terracota pots in this courtyard garden.

Red tulips, red-twig dogwood, heuchera and euphorbia in a classic cement urn.

Grape hyacinths steal the show in this pot!

A grouping of potted shrubs, perennials and annuals in different pots that complement each other!

A quiet container water garden on the stone patio.

A vegetable garden with climbing peas on the terrace!

Another interesting grouping of potted shrubs, succulents and spring bulbs.

Pansies soften the spiky form of an agave.

Potted daffodils and tulips complement the Italian accent tiles with their lemon design.

Ranunculus, pansies, and yellow-twig dogwood in an indigo blue pot!

​A small centerpiece bowl of greens, herbs and flowers adorns the terrace dining table.

Texture Enriches the Winter Garden

When you are designing your garden for winter interest, think of yourself as a set designer. Unlike spring and summer, when the garden goes through many scene changes, the winter stage does not change rapidly. The overall composition is a static one, but it will not be boring if you incorporate the basic principles of design: form, line, color, repetition and texture.

Texture is a sensory perception of our environment, much more subliminal than color or form. During the winter, the garden loses much of its bright color and leafy abundance, so the texture of winter plants becomes much more apparent. When skies are clear, the bright, glittering winter light accentuates the textures in the landscape. Because the angle of the winter sun is low, it reflects light on the glossy foliage of large-leaved evergreens like hollies and laurels, and the shining bark of ornamental trees.

Whether peeling, patchy, shiny or dull, bark is an asset. Botanists have classified bark into 18 different types, including scaly, peeling, flaking, fissured, corky, cracked, and spiny, to name a few. Trees with outstanding peeling bark include the Paperbark maple, River birch, Paper birch, and Shagbark hickory.

Sargent cherry (below) is a stunner with its glossy, burgundy striped bark. Other trees with shiny, colorful bark include Japanese maples and the Prairiefire crabapple.

Stewartias (below) and Kousa dogwoods display patchy bark in camouflage colors. These ornamental trees look best sited against a backdrop of evergreens, which will help to show off their interesting bark.

Evergreen trees and shrubs provide textures with their leaves and needles, and planting evergreens with contrasting textures creates interesting compositions. The large smooth leaves of a rhododendron can be set off with the ferny foliage of Siberian cypress and the fine texture of a boxwood. The soft long needles of an Austrian pine look great next to the shiny, spiky leaves of a blue holly.

Evergreen groundcovers add texture at ground level and perk up the garden when the lawn has turned to a depressing brown. Excellent groundcovers for winter interest include broadleaf evergreens such as pachysandra, vinca, euonymous, or gaultheria, and low-growing conifers such as ‘Nana’ or ‘Blue Star’ junipers.

Although many gardeners like to deadhead spent flowers in the fall, dried blooms and seedheads of sedums, astilbes, black-eyed susans and ornamental grasses enrich the winter landscape. The dried flowers of hydrangeas, pieris and leucothoe also add a nice texture to the garden, and look particularly beautiful when dusted with snow.

Berries, fruits and hips are like exclamation points in the landscape. The fruits of a hawthorn tree, the berries of cotoneasters, hollies and junipers, or the hips of a climbing rose add a delightful texture, especially when covered with frost.

Texture in the garden is most visible and effective when seen in contrast: lustrous with dull, prickly with smooth, ribbed with flat, feathery with broad, needled with flat. As the “set designer” of your garden, you can create a beautiful winter scene with the endless variety of textures exhibited by our trees, shrubs and herbaceous plants.

Homemade Deer Repellents

Many of our gardening friends and clients ask for advice on keeping deer away from their gardens. In addition to commercial products such as Deer Off and Milorganite fertilizer, we have received these two tips for home made repellents from fellow garden club members:

Hot & Stinky Deer Repellent

Puree in blender until as thin and smooth as possible:

3 T. or more minced garlic

3 T. hot sauce

3 eggs

Pour into a gallon bottle

Add:

12 oz Wilt-Pruf concentrate (available at Walmart, garden supply or hardware stores)

Add water to fill the gallon jug.

Let sit one day.

Shake before using. Apply directly to plants with watering can or a spraybottle. You may have to enlarge the holes. The Wilt-Pruf makes it rain- and deer-resistant for months.

 

Egg Deer Repellent

Another friend swears by this simpler version:

Beat 2 eggs and place in a gallon jug with another water to fill the jug. Let sit one day.

Pour or spray on to plants.

The repellent lasts for several weeks.