Rotch-Jones-Duff House & Garden Museum

Rotch-Jones-Duff House & Garden Museum is a wonderful place to visit from June to September, when the exquisite rose garden is in bloom.

The three families whose names were given to the Rotch-Jones-Duff House all shared close ties to New Bedford’s dominance of the whaling industry in the 19th century. The beautiful Greek Revival mansion was built in 1834 for William Rotch Jr., one of the wealthiest and most influential citizens of New Bedford. Rotch was a Quaker who had distinguished himself by helping to found several banks and schools. He built his house on a hill overlooking the port, with room for expansive gardens on the south-facing side of the property. Rotch had a tremendous passion for horticulture, with a particular interest in the cultivation of pears, which were a popular fruit in New Bedford at that time. He created a bountiful garden of vegetables, fruits, and exotic ornamental species brought back from whaling voyages. Rotch founded the New Bedford Horticultural Society. He shared his horticultural interests with his son-in-law James Arnold who would later become benefactor of the Arnold Arboretum. (Below: William Rotch, Jr and James Arnold and family)

Edward Coffin Jones, a successful whaling agent, purchased the mansion in 1851. The Jones family expanded the garden and added the Victorian pergola situated at the main axis of the ornamental gardens. Jones’s daughter Amelia Hickling Jones lived in the house for 85 years. Photographs of the garden from the late 19th century show the pergola covered with wisteria and parterre beds edged with boxwood and filled with roses, hollyhocks, and calla lilies. Amelia became a prominent philanthropist in the community supporting the arts and founding a children’s hospital. With no heirs, the property was offered for sale when she died in 1935.

photo courtesy of rotch-jones-duff house

In 1936 the property was purchased by successful businessman and politician Mark M. Duff whose fortune was made in whale oil, coal, and oil transportation. Duff hired Mrs. John Coolidge, a Boston landscape architect, to enhance the garden with ornamental beds, reflecting pools, and graceful walkways. Duff was extremely fond of tulips, and more than 7,000 bulbs were planted during the Duff tenure, which concluded in 1981.

Today elements of all three residencies remain. A massive copper beech, planted by Amelia Jones in the 1880s, greets you at the front entrance of the mansion. On the left side of the house, stone steps descend to the formal boxwood rose parterre garden, the star of the property. The best view is from the porch of the house, where you can clearly see the pattern. The 19th-century wooden lattice pergola punctuates the garden, and its intricate lattice work casts lovely shadow patterns on the ground below. An heirloom apple orchard is sited nearby.

The Garden Club of Buzzards Bay has been involved in restoring these and other gardens on the property since 1982.  In the southeast corner, the club has created the kind of naturalistic woodland garden that might have existed on the site in the late 19th and early 20th centuries while referencing modern horticultural and environmental practices. Here you will find trilliums, Tiarella, trout lilies, and Solomon’s seal in early spring. The club also operates the historic greenhouse and maintains an adjacent historic collection of about 50 boxwood specimens.

Rotch-Jones-Duff House & Garden Museum, 396 County St., New Bedford, MA 02740
508-997-1401, rjdmuseum.org
Hours: May–Oct.: Wed.–Sat. 10–4, Sun. 12–4.

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Osborne Homestead Museum: The Home and Garden of an Extraordinary Woma

By today’s standards, Frances Osborne Kellogg was an extraordinary woman. By the standards of the late 1800s, she was a force of nature—a successful industrialist, cattle breeder, philanthropist, and conservationist. When her father died in 1907 and the probate judge suggested that his companies be sold so that the family could live off the profits and Frances could go to college, the 31-year old young heiress replied, “Sell them? No. I intend to run them.”

A gifted violinist from an early age, Frances was expected to study music in college. She loved attending opera, theater and musical concerts in New York City. But an accident with a sewing needle damaged her eyesight, and Frances’ life took a different direction. Her father had taught her how to run the family business, and Frances took on the unusual challenge as a woman CEO of four different companies. All of them prospered under her leadership.

When she married New York architect Waldo Stewart Kellogg in 1919, the couple’s focus became the family dairy. The Kelloggs developed a reputation for their selective cattle-breeding program. As the family fortune grew, Frances invested in her community, supporting local organizations and building the Derby Neck Library.

Derby Neck Library

Waldo enlarged and remodeled the house in the Colonial Revival style in the 1920s, and Frances added the ornamental gardens. She had a deep love of flowers from childhood, and enjoyed attending annual flower shows in New York City. In 1910 she hired Yale architect Henry Killam Murphy to design her formal flower garden, and employed Robert Barton from Kew Gardens as her head gardener. 

French doors lead from the house and conservatory to this lovely garden, which is also visible from the street. The garden is bisected by a white trellis fence accented with red roses, purple clematis, and yellow honeysuckle. A central arbor provides benches where you can sit and enjoy the beauty and scents of the flowers. One half of the garden is dedicated to Frances’s favorite flower, the rose. Four rectangular rose beds are enclosed by long borders of old-fashioned favorites such as foxgloves, irises, goats beard, and salvias. The other half of the garden is a formal perennial garden of bearded iris, peonies, daylilies and sedums. Four beds of standard roses, weigela and boxwood surround a circular bed accentuated with a sundial.

The garden is bordered on one side by a long stone wall, with steps that lead to beds of lilacs and other ornamental shrubs and trees. On the slope above the formal gardens, a rock garden has been created with conifers, ferns and perennials. Peak time to see the garden is mid May to mid June.

Frances’ love of gardening and nature continued throughout her lifetime. She was an active member of local garden societies, and became a sponsor of the Connecticut College Arboretum. As her interest in conservation grew, she became the first female vice chair of the Conn. Forest and Park Association. Frances lived in the family home until her death in 1956. Before she died, she deeded her entire estate to the State of Connecticut, including 350 acres for Osborndale State Park.

In addition to the garden, you can tour the restored historic home with its collection of original furnishings, antiques, ceramics, artwork and personal mementos. Frances’ doll still rests on her childhood bed and the opera cape that she wore to performances at the Met is draped over a settee.

Osborne Homestead Museum, 500 Hawthorne Ave., Derby, CT 06418, (203) 734-2513
Hours: May 5–Oct. 28: Thurs.–Fri. 10–3, Sat. 10–4, Sun. 12–4