10 Outstanding Mail-Order Nurseries for 2021

Once the holidays are over, I begin thinking about new plants for the garden. Here are some of my favorite mail-order nurseries for perennials, trees and shrubs that you will want to peruse in 2021, organized by plant specialty. For more nursery recommendations, see The Garden Tourist, and The Garden Tourist’s New England books in the Shop.

Perennial selection

Bluestone Perennials

Bluestone Perennials was one of the first mail-order nurseries that I purchased perennials from when I began gardening. Most of those perennials -geraniums 'Wargrave Pink' and 'Johnson's Blue', lobelias and astilbes, to name a few, are still growing in my garden 20 years later. Bluestone carries a huge selection of perennials, as well as bulbs and shrubs, from reliable standbys to exciting new hybrids. If you need help with plant combinations, you can order pre-planned theme gardens, such as a Butterfly Garden, Cutting Garden or Lamp Post Garden. Robust plants are shipped in 3-1/2" x 4" plantable pots. The nursery has been family-owned and operated since 1972, and provides excellent customer service. Catalog available. bluestoneperennials.com

Clematis and other vines

Brushwood Nursery

If you are looking for clematis or other climbers, Brushwood Nursery is an excellent source. Brushwood offers hundreds of clematis varieties as well as honeysuckles, trumpet vines, passion flowers, wisteria and jasmines. The informative website is a virtual encyclopedia of clematis - you will have a hard time narrowing down your choices! I was inspired to try clematis after hearing Cheryl Monroe's lecture, and she recommended Brushwood. Since then, I have ordered plants for myself and as gifts for friends, and they have all done beautifully. Owner Dan Long takes great care in selecting, growing and shipping healthy, vigorous plants. They now sell all the vines in one-gallon pots with free shipping. brushwoodnursery.com

Roses

Palatine Roses

When I replanted my rose bed three years ago, I was determined to use hardy, disease-free roses. I ordered bare root rose bushes from several sources, and the best plants came from Palatine Roses in Ontario. The roses had well-developed root systems and strong canes, and flourished during the entire season with no signs of black spot or other diseases. I had blooms through November. Palatine has a minimum order of 3 roses, and the mail order deadline is March 15 for spring shipping. palatineroses.com

Peonies

Peony’s Envy

Peony’s Envy is home to more than 700 varieties of tree, herbaceous, and intersectional peonies that enjoy cult status among aficionados. In addition to ordering online, you can visit Peony’s Envy from May to mid-June to see and smell the luscious blooms in person. The seven-acre production garden is also a beautiful display garden, with formal flower beds, stone walls, and meandering paths through the woodland. peonysenvy.com

Hellebores

Pine Knot Farms

Hellebores have a special place in my heart, and there is no better place to look for new varieties than Pine Knot Farms. Judith and Dick Tyler have been breeding hellebores for more than 25 years, with stock plants from the UK, the Balkans, Japan, Australia and New Zealand. The couple authored a comprehensive book on Hellebores in 2006. I hope to visit their North Carolina nursery someday, but in the meantime, I try some of their new offerings every year. pineknotfarms.com

Hostas

New Hampshire Hostas

If you have a shady garden or just love to collect hostas, you will enjoy ordering from New Hampshire Hostas in South Hampton, New Hampshire. There are more than 900 hostas on offer, along with companion plants such as ferns, epimediums, hellebores, astilbes and other perennials. Plants arrive with good sized root systems and are ready to be planted in the garden. The website is informative and well-indexed. nhhostas.com 

Spring and summer bulbs

Van Engelen

Located in Connecticut, Van Engelen offers a wide range of spring and summer-blooming bulbs at wholesale prices. What that means is that quantities begin at 25 of one bulb, and range up to 1000. The selection is excellent, with 28 varieties of alliums, Orienpet, Asiatic, Chinese Trumpet and naturalizing lilies, 15 varieties of fritillary, and much more. vanengelen.com

Rhododendrons and magnolias

RareFind Nursery

RareFind prides itself on selling plants that you cannot find in your local garden center. Special collections include witch hazels, azaleas, magnolias (including unusual yellow-flowered varieties), hydrangeas, and carnivorous and bog plants. rarefindnursery.com

Tree peonies & unusual fruits

Cricket Hill Garden

Cricket Hill Garden was one of the first nurseries to collect and propagate tree peonies imported from China. Their vast collection has grown to include herbaceous and Intersectional peonies, as well as unusual fruit trees and berries such as PawPaw, mulberry, medlar, elderberry, persimmon and more. treepeony.com

Mountain Laurels & Japanese Maples

Broken Arrow Nursery

Broken Arrow Nursery is widely acknowledged in gardening circles as a source for rare plants, particularly trees and shrubs. Owner Dick Jaynes is a world expert on Mountain Laurels, and you can purchase many of his hybrids as well as unusual firs, Japanese Maples, magnolias, and variegated and weeping varieties of virtually any tree or shrub. brokenarrownursery.com

Unusual plants

Plant Delights

Owner Tony Avent collects rare and unusual plants from all over the world during his frequent plant hunting expeditions and from other prominent collectors. He also conducts his own plant breeding programs with special focus on hostas, trilliums, cyclamen and other perennials. These plants are trialed for several years in the nursery’s field beds before they are introduced to the public. There are more than 1700 varieties available on the website. plantdelights.com

Epimediums

Garden Vision

Garden Vision has specialized in epimediums since 1997, and offer more than 200 hybrids for sale. Like other plant species, epimediums have developed collector status, and Garden Vision is fondly referred to as the “Epi-Center of the Universe.” Most of the epimediums were collected or hybridized by plant hunter Darrell Probst. epimediums.com

Winter Pruning Tips

By Jen Kettell |Radiant Leaf Consulting

There are those winter days when the air is so deeply cold that it nearly takes your breath away. On many winter days, though, the sky is a deep blue expanse around the bright sun, and the crisp air cleanses with each breath. On those days, I eagerly gear up in several warm layers and grab my coffee mug for the drive to share hands-on pruning lessons with my clients. Winter work in horticulture is very different from the growing-season madness. It’s quieter, strategic, and when it comes to pruning – more efficient. 

Pruning, it has been said many times, is both an art and a science. This is likely why I fell in love with arboriculture and pruning techniques. Pruning is not simply cutting any branches any where to make a plant smaller. True pruning technique requires an artist’s eye to sculpt a woody plant (tree, shrub, or vine) into a beautiful form that maintains its natural, species-driven habit. It also requires a scientist’s understanding of plant biology and mechanics to increase its strength and guide future growth. Pruning is a necessary task in caring for our landscapes. Most importantly, skilled pruning increases the health and lifespan of our urban canopy - keeping us healthy!

Photo by Sara Maida

Getting started

Before beginning your next pruning project, take a moment to inspect your tools. By using a sharp pair of bypass pruners and a professional-grade pruning saw, you can easily and precisely prune away unwanted branches. Be sure to always wear safety glasses and gloves, too. (Stay safe by knowing your limits! Find a professional arborist here.)

By winter, deciduous trees and shrubs have shed their leaves to reveal their underlying architecture. Believe it or not, you should spend as much time looking and assessing as you do actively cutting branches. Think about what your goals are prior to making that first cut. Are there branches reaching over the driveway that need to be shortened? Does the plant only need some light shaping?

Next, start scouting for the kinds of branches you’ll consider removing. Prune away all dead branches any time of year, regardless of plant species. Dead branches don’t come back, and no longer serve your plants. Look for broken and crossing branches. From now through March, these branches are much easier to spot than when they are full of foliage. Stand back and look again. Things are looking better already! There’s much more to cover than a blog post allows, so please download my short guide here!

Photo by Sara Maida

Timing

I often hear great concern over the timing of pruning, especially about plants that set their flower buds on old wood (download a handy list here). As I’ve said many times before, I will go to my grave - hand pruners held high – hollering, “HOW you prune is more important than WHEN you prune!”

What?! Why, you ask? 

The short answer…because pruning is pruning and hedging is hedging.

Through natural, selective pruning, we’re carefully selecting specific branches for removal; we are not giving a buzz cut.  While we’ll certainly remove flower buds via the cut branches, we won’t have denuded the whole plant. So, if you’re contemplating that tiny lilac you planted just last year, maybe hold off on pruning until right after flowering. However, for that lilac that hasn’t seen a sharp saw in twenty years? Prune.It.Now

Are there plants that I never prune in winter? Absolutely! Here are a couple that come to mind: roses (Rosa spp.), big leaf hydrangeas (Hydrangea macrophylla), and dieback shrubs like Russian sage (Perovskia atriplicifolia).

Photo by Sara Maida

Practice

Pruning skills are only honed by practicing pruning—so bundle up! Sharpen those tools and start tackling your garden favorites. Once you get in the groove, I know you’ll catch pruning fever!

Join me for my next webinar hosted by the Massachusetts Horticultural Society: https://radiantleaf.com/thisseason

 To learn more: Jen Kettell |Radiant Leaf Consulting Radiantleaf.com jen@radiantleaf.com

Photo by Sara Maida

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Where Snowbirds Flock: Washington Oaks Gardens State Park

Nestled between the Atlantic Ocean and the Matanzas River, Washington Oaks Gardens State Park preserves 425 acres of beautiful coastal scenery. At the heart of the estate are 20 acres of formal gardens thriving in a shady hammock of towering live oaks, hickories and magnolias.

The gardens and buildings are the legacy of Louise and Owen Young from New York, who purchased the property in 1936 as a winter retirement home. Owen was a lawyer, diplomat, counsel to five presidents, chairman of the board of General Electric, and founder of RCA. Louise was a designer and businesswoman with lingerie and fine linen shops, and interests in weaving and pottery. She used her artistic talent to design the house and gardens. Despite their wealth, the Youngs built a modest home that overlooked the river, and a separate building for Owen to conduct his business.  They gradually purchased beachfront property across the road.

The gardens at Washington Oaks consist of formal plantings within a jungle setting, with elements of English and Asian garden design. The magnificent live oaks offer shade as you stroll down mondo grass-edged pathways through themed gardens and around lovely ponds. Gazebos and well-placed benches provide lovely views. Louise was a talented gardener, and filled the garden with her favorites — camellias, azaleas, orchids and citrus, all of which can be seen in the garden today. A formal rectangular rose garden is an oasis of color and perfume. Rose bushes tower to heights of 8’ and include the deep crimson Don Juan, coral Tropicana, carmine Kentucky Derby, pink Sweet Surrender, yellow Sun Flare, and apricot Medallion. 

The sandy soil and subtropical climate at Washington Oaks is ideal for growing citrus. The first orange groves here were established by John Moultrie, Lt. Governor of British Florida in the 1700s. In the 1800s, subsequent owners Joseph Hernandez and George L. Washington grew oranges and shipped them upriver by sailboat to St. Augustine. The Youngs expanded the diversity of citrus at Washington Oaks with plantings of sweet oranges, grapefruits, lemons, limes and tangerines. At one time, Louise attempted to establish a citrus business. Owen loved the orange groves, and occasionally the wealthy industrialist set up crates by the road and sold fruit to tourists.

Across the street from the gardens you will find Washington Oaks Gardens State Park beach, which is renowned for its Coquina formations. The Coquina rock is part of the Anastasia formation, which was created during the Pleistocene era (12,000 to 2.5 million years ago) and stretches from St. Augustine to Palm Beach County. Coquina rock is a type of sedimentary rock formed from shells and sand sorted by the waves. When the sea level was lower, these shells and sand were exposed to rain. The rainwater dissolved some of the calcium carbonate (limestone) from the shells, which glued the sand and shells together into rock. Close inspection of the rock reveals the individual shells and sand grains that are cemented together. The word “coquina” is Spanish for “cockle,” the small, burrowing clam that lives in the sand at the ocean’s edge.

In addition to the gardens, the park offers trails for hiking and biking,  and opportunities for birding, fishing, beachcombing, sunbathing and photography.

Washington Oaks Gardens State Park is located at 6400 N. Ocean Dr., Palm Coast, FL 32137, (386) 446-6783, washingtonoaks.org.

Hours: Daily 8 am–sunset. Admission: $5 per vehicle

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Christmas at Blithewold

Overlooking Narragansett Bay in Bristol, RI, Blithewold is an elegant 45-room mansion built in the early 1900s and set on 33 acres of beautiful gardens.

Each year, the mansion is decked out for the holidays by a team of professional and amateur designers and Blithewold volunteers. The theme varies from year to year, but the decorations are always amazing.

Two-story tree in Entrance Foyer

Dining Room

Dining Room

Dining Room

Billiard Room

Billiard Room

Billiard Room

Billiard Room

Telephone Room

Breakfast Porch

Stairwell

Stairwell

Second Floor Gallery

Second Floor Gallery

Master Bedroom

Master Bedroom

Master Bedroom

Master Bedroom

Marjorie’s Bedroom

Sewing Room

Estelle’s Bedroom

Augustine’s Bedroom

Augustine’s Bedroom

Stickley Room

A Longwood Christmas

A visit to A Longwood Christmas at Longwood Gardens in Kennett Square, PA is a magical journey through a botanical garden decorated with more than 500,000 twinkling lights and spectacular fountain shows. The conservatories feature gorgeous displays, decorated trees and amazing tropical plants.

A Longwood Christmas was named number one in  Best Botanical Garden Holiday Lights by USA TODAY’s 2019 10 Best Readers’ Choice Awards.

Sweet Auburn: America’s First Garden Cemete

Photo: Mt. Auburn Cemetery

Located four miles outside of Boston, Mount Auburn was America’s first designed rural cemetery. It also gave rise to the American park movement and became an eminent horticultural institution. Today, it is beloved by nature, landscape and history buffs, and is an excellent destination to explore in autumn.

In the early 19th century, Dr. Jacob Bigelow (left), a Boston physician and Harvard professor, became concerned that crowded cemeteries in congested urban areas might promote the spread of contagious diseases. At that time, most city residents were buried in churchyards or vaults below churches, and as the population of Boston grew, these options became untenable. Dr. Bigelow developed the vision of a burial place located on the outskirts of the city, with family burial lots sited in a landscaped setting filled with trees, shrubs, and flowers. In 1831, the newly formed Massachusetts Horticultural Society agreed to take a lead role in developing the first rural cemetery. They found a 72-acre farm in Watertown and Cambridge that was ideal and featured a 125-foot central mount that provided spectacular views of Boston and Cambridge.

Henry A.S. Dearborn (above right), President of the Massachusetts Horticultural Society, was largely responsible for the cemetery’s design. He incorporated ideas from the English picturesque landscape style and the Père Lachaise Cemetery in Paris into his plan for Mount Auburn. The picturesque style celebrated nature and embraced the topography and unique physical characteristics of a site. It also incorporated architectural elements such as castles, rustic cottages, and Gothic ruins into its design, which was particularly suited to a cemetery with its statuary and mausoleums.  Dearborn partnered with civil engineer Alexander Wardworth in laying out winding roads that followed the natural contours of the land, and retaining naturalistic elements such as wooded areas and ponds. He also established a separate experimental garden at Mount Auburn, planted with many domestic and exotic varieties of fruits, flowers, and vegetables. As news of the garden cemetery spread, horticulturalists from around the world sent gifts of seeds. 

The popularity of the new cemetery grew, and lots sold quickly. It was open to all races and religions, and became a popular choice for Boston’s African Americans in the 19thcentury. It also became the final resting place for such prominent Bostonians as Mary Baker Eddy, Isabella Stewart Gardner, Winslow Homer, and Henry Wadsworth Longfellow. In 1835 the cemetery became a private nonprofit corporation, ended its partnership with the Massachusetts Horticultural Society, and the experimental garden was discontinued. 

By the mid-1800s, the site was internationally renowned as a horticultural attraction and pleasure ground, with picturesque landscapes, winding paths, a variety of horticulture, and sculptural art. Its success inspired the designs of other cemeteries, and launched the American parks movement. Today, the cemetery still upholds Bigelow’s natural, oasis-like vision, and has grown to 175 acres. The cemetery is planted with more than 5,000 trees spanning 600 varieties. They include Japanese umbrella pines, yellowwoods, amur cork trees, plane trees, weeping cherries, sweetgum, and weeping pagoda trees. Mount Auburn has become a world-renowned ornamental horticultural landscape, a National Historic Landmark, and a leader in historic landscape preservation and ecologically sustainable landscaping. Sweet Auburn, as it came to be called, continues to function as an active cemetery and a pastoral landscape that is visited each year by more than 200,000 people from around the world.

Mount Auburn Cemetery is open daily 8 am–7 pm at 580 Mount Auburn St., Cambridge, MA 02138, (617) 547-7105, mountauburn.org.

An excerpt from The Garden Tourist’s New England.

Two books explore the history and wildlife of the cemetery. The Lively Place by Stephen Kendrick, tells the history of the cemetery:

“When Mount Auburn Cemetery was founded, in 1831, it revolutionized the way Americans mourned the dead by offering a peaceful space for contemplation. This cemetery, located not far from Harvard University, was also a place that reflected and instilled an imperative to preserve and protect nature in a rapidly industrializing culture—lessons that would influence the creation of Central Park, the cemetery at Gettysburg, and the National Parks system. Even today this urban wildlife habitat and nationally recognized hotspot for migratory songbirds continues to connect visitors with nature and serves as a model for sustainable landscape practices. Beyond Mount Auburn’s prescient focus on conservation, it also reflects the impact of Transcendentalism and the progressive spirit in American life seen in advances in science, art, and religion and in social reform movements. In The Lively Place, Stephen Kendrick celebrates this vital piece of our nation’s history, as he tells the story of Mount Auburn’s founding, its legacy, and the many influential Americans interred there, from religious leaders to abolitionists, poets, and reformers.”

Dead in Good Company is a collection of of essays, poems and wildlife photographs of Mount Auburn Cemetery edited by John Harrison and Kim Nagy.

“An amazing group of authors have come together to celebrate this unique resource - including Harvard Law professor emeritus Alan Dershowitz; historical novelist William Martin; former Mayor of Boston and Ambassador to the Vatican, Ray Flynn; Boston author and television icon, Hank Phillippi Ryan; Pulitzer Prize winner, Megan Marshall; mystery/true-crime author Kate Flora; mystery author Katherine Hall Page; medical thriller author Gary Goshgarian (Braver); broadcasting legend Upton Bell; world renowned bird guide author and artist David Sibley; drama critic, author and host of the Theatre World Awards, Peter Filichia; screen writer, author Chris Keane; Mass Audubon's Wayne Petersen; Talkin' Birds radio host, Ray Brown; author, naturalist Peter Alden; founder of Project Coyote, Camilla Fox; Director of the World Bird Sanctuary, Jeff Meshach; senior scientist for wildlife at the Humane Society of the United States, John Hadidian; historian Dee Morris; and sports writer and commentator, Dan Shaughnessy.”

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Three Sisters Sanctuary: A Healing Garden

A two-story tin man with a bright red heart greets you at the entrance of the Three Sisters Sanctuary. The sanctuary is a sculpture garden and art installation, but most importantly, it is a healing garden. When Richard M. Richardson visited Goshen more than 40 years ago, he felt drawn to the area. He began building the healing garden 25 years ago after the tragic death of his older brother, followed 10 years later by the death of his eldest daughter. He says that he did not find the garden, but the garden found him and shaped him into the environmental artist that he is today. It filled a void in his life with purpose and meaning. 

As you enter the sanctuary, you will see Richard’s house–another art installation– on the right. Inspired by a lifelong love of gypsy wagons that he saw on visits to Ireland, the house is clad in zigzag and diamond-shaped shingles painted in two shades of orange. A path leads to a firepit and a pond with a waterfall that is guarded by a life-size mermaid. Adjacent to this is the outdoor dining area, covered in climbing vines. As you make your way through the garden, you will see both whimsical and thought-provoking sculptures from a handful of local artists beautifully incorporated into the setting. The Tina Marie Sanctuary with its iron orbs is a tribute to Richard’s oldest daughter. An eagle sculpture by John Bander crafted from cutlery hangs suspended from a birch tree near a peaceful clearing. A huge stone amphitheater provides a setting for restorative yoga and concerts. A pathway lined with art glass takes you past the wetland and offers lovely nature scenes.

Photo courtesy of wgby

The central part of the garden is the Life Labyrinth, a series of connected spaces outlined by huge Goshen stones and fastigiate (narrow, upright) arborvitae. The labyrinth takes you on life’s journey, beginning with an area called “Dancing with the Ladies” on to “Courtship,” “Seduction,” “Commitment,” and through several other life stages until you arrive at the “Exit of Life.” It ends in the Butterfly Garden, where a group of “children” sculpted from wire by artist Michael Melle twirls around a maypole. Continuing past the Grounded Treehouse and the Faerie House, you finally reach the Mosaic Dragon Den, a space elaborately decorated with colored glass, metal objects, toys, and collectibles. Encircled by the stone body and tail of the dragon, the interior of the den offers a space for contemplation and remembrance of loved ones. If Richard is in the garden, he may ignite the dragon so that you can see the richly decorated head breathing fire. 

Richard’s latest project has been the construction of a massive three-section labyrinth adjacent to the scenic wetland. Many years in the planning, the labyrinth has evolved into a second dragon, this one more than 200 feet long and consisting of three adjoining spirals. Still under construction, the labyrinth promises to be an outstanding addition to the sanctuary.

Three Sisters Sanctuary is a perfect garden destination in September. It is located at 188 Cape St., Goshen, MA, and open daily 8 am to dusk. Admission is $10. threesisterssanctuary.com

Excerpted from The Garden Tourist’s New England, published in 2020.

Wethersfield: A Hudson Valley Treasure

Nestled in 1,000 acres of beautiful rolling hills in New York’s Dutchess County, Wethersfield is considered one of the best examples of a classic Italian Renaissance garden in America. 

 Wethersfield was built as a summer residence by Chauncey Deveraux Stillman (1907-1989), an heir to one of America’s great family banking fortunes. Educated at Harvard and the Columbia School of Architecture, Stillman had a distinguished career as director of the oil and mining enterprise Freeport-McMoRan, and as a naval intelligence officer during WWII. A 20th-century Renaissance man, he was interested in yachting, paintings, sculpture, architecture, religion, farming, wildlife, horticulture, and horses. In fact it was the Millbrook Hunt that brought him to Dutchess County, where he was struck by the amazing views and farming potential of the land. In 1937 Stillman purchased two abandoned farms, and expanded the property over the next 50 years. He named his estate Wethersfield in honor of Wethersfield, Connecticut, where his family first settled in 1705. 

The first buildings on the property were the stable and carriage house, which still house Stillman’s antique carriage collection and dozens of prize ribbons. The Georgian Colonial brick and brownstone residence was situated on the highest point of the property, with its main entrance to the west. It was designed by Bancel LaFarge, a Beaux Arts architect. Compared to the lavish summer homes of his contemporaries in Newport, this was a modest residence decorated with Baroque-style frescoes, antiques, sculpture, and paintings by Italian masters as well as French and American Impressionists.

Stillman with his grandson

Stillman was in intellectual, interested in all forms of natural sciences. With the assistance of a farm manager, Stillman continued to farm the property, and brought progressive soil and water conservation techniques to Dutchess County. He practiced contour farming—planting in rows that are perpendicular to slopes and thereby reduce soil erosion and water runoff by 50%. He also excavated 12 ponds to catch water runoff and use it for watering crops and his garden.

 He was also a deeply religious man who converted to Catholicism in midlife. His interest in the Catholic faith, philosophy, classics and history, can be found woven into the design of his home and garden, from the home’s chapel, to reliefs depicting scenes from the Bible, Latin inscriptions, and statuary referencing Greek and Roman mythology. 

 In 1947, Stillman commissioned Evelyn N. Poehler, a Connecticut landscape architect who had been trained at the Lowethorpe School for horticulture and landscape design in Groton, Massachusetts, to design a swimming pool. The commission grew into the design of a traditional Italianate garden and a wilderness garden whose design evolved over the next 25 years. 

Poehler and Stillman collaborated on a 10-acre portion of the property closest to the house, which was divided into a 7-acre Wilderness Gardens and a 3-acre classic Italian Renaissance Garden. Classic Italian gardens are green gardens with clipped hedges, a strong central axis, framed views, allées, terraces, enclosed garden rooms, arches, sculpture and water features. Pairs of shrubs, trees, statues or urns frame views and entrances. Flowers are usually used in pots as accents.

When you visit Wethersfield, your tour will begin at a visitor’s booth at the outer edge of the garden, and you will gradually approach through the garden to the house. You will first see the gorgeous views of rolling hills and woodlands that surround the formal gardens. The garden entrance is guarded by a pair of crouching lions. As you enter the terraced gardens, you will see garden rooms framed by clipped yews and weeping beeches in serene shades of green. To the right is the Belvedere, on a rise surrounded by white pine. A solid shale wall topped by a stone balustrade features a niche that encloses a cupid fountain with plantings of sedums, campanula and other delicate flowers spilling from the stones. The upper terrace forms the Peacock Walk, with a cage of these colorful birds at one end. To the left of the Lower Terrace is the Cutting Garden, traditionally used to supply flowers for the house. It is now used as a teaching garden for a staff of interns.

Belvedere

peacock walk

lower terrace with weeping beeches

cutting garden

The path through the Lower Terrace brings you to a stunning oval reflecting pool. This was originally the swimming pool that Poehler designed for Stillman. Notice the beautiful view to the south, with an ornamental haha wall borrowed from English gardens. To the north, a 190 foot long allee of tall arborvitae brings you to a fountain with a green and gold naiad, or water nymph, created by sculptor Carl Milles. 

reflecting pool

Naiad fountain

As you continue toward the house, you enter the Inner Garden, enclosed by the house, a beech tunnel, and a walled knot garden. This is the oldest garden at Wethersfield, designed by Bryan J. Lynch in 1941. A grape arbor on one side creates an extension of the dining room and was used for outdoor lunches. The rill evokes Persian gardens and brings the soothing sound of water to this lovely courtyard. Borders of perennials and annuals frame the keyhole lawn. Curved steps lead to the Victorian-style knot gardens outside the Grasshopper House, named for its whimsical weathervane. Inside are grisaille murals of Wethersfield scenes painted by American artist Hight Moore. 

inner garden. photo courtesy of tcfl.org

south terrace

A linden hedge leads to the South Terrace, whose lower level offers beautiful views of Wethersfield’s hay fields. Descending one more level to the Pine Terrace, you enter a lovely shady seating area with a rectangular pool stocked with goldfish, and adorned with pots of fuschias and agapanthus. Here you also view the Palladian Arch which will bring you to the Wilderness Garden.

palladian arch

The Wilderness Garden is a woodland garden with carriage drives and trails that weave through stands of sugar maples, beech, larch and white pine underplanted with rhododendrons, mountain laurels and other blooming shrubs. Drifts of Christmas ferns, maidenhair and hay scented ferns line the trails, which are punctuated with limestone and marble statuary. These statues of animals, nymphs, centaurs and Greek gods were carved in the late 1960s and 1970s by English sculptor Peter Watts and Polish sculptor Jozef Stachura.

Wethersfield is located at 257 Pugsley Rd., Amenia, NY. At this time, the garden is open Fridays, Saturdays and Sundays from noon to 5 pm and admission is temporarily waived. The trails are open daily from dawn to dusk. 

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Joie de Vivre in Joyce's Garden

A bright red arbor made of a crossing shovel and a spading fork greets visitors at the entrance of Joyce Hannaford’s lush garden. Colorful flowers spill out across the road and create a cheerful welcome into this private cul-de-sac.

When Joyce and her husband, Charlie, moved into their 1923 gambrel Colonial 20 years ago, the house was barely visible behind overgrown shrubs and trees. Numerous towering pines had to be removed before any gardening could begin. Now, graceful Japanese maples, dappled willows, tricolor beeches, and specimens of Japanese umbrella pine, stewartia, and katsura allow hundreds of perennials to grow in their dappled shade. 

Joyce’s garden began with a gift of 70 daylilies from a friend who was moving across the country. Since then, Joyce’s collection has grown to about 400 plants that provide peak color for the garden in mid-July. The daylilies bloom profusely with Shasta daisies, phlox, Rudbeckia, martagon and Oriental lilies, Echinacea, and colorful annuals. Sculptural ‘Tropicanna’ cannas add texture, pattern, vivid color, and tropical flair to the borders. An elegant weeping larch draping over a small pond welcomes you to a hidden oasis behind the house. There a large elliptical flagstone fountain provides the gentle sound of trickling water for an intimate brick patio and dining area surrounded by silver Japanese pines. Clumps of Hakone grass, Solomon’s seal, hostas, epimediums, and ferns create a colorful carpet of foliage. 

Joyce, a former caterer and self-proclaimed “foodie,” designed the garden for entertaining during both the day and evening, with layers of uplights, fairy lights, and pathway lights that guide you through the garden. Sculptural bronze flowers illuminate the pathways, adding a magical glow to the garden after dark. A circular patio with a firepit is a favorite place for Joyce and Charlie to relax in the evening, sipping wine by the fire and chatting with passersby. 

The garden is embellished with birdhouses, tuteurs, gazing globes, arbors, and mementos of friends and travels. The whimsical stacked-stone sculptures were created by friend Jim Chudy. A pair of Sicilian ceramic heads planted with sedums brings back memories of Italy. A pathway of flagstones from Joyce’s hometown of Franconia, New Hampshire, leads into a memorial garden dedicated to her best friend, Susan. For Joyce, the garden is an exuberant labor of love, a memory book of friends and adventures past, a palette for artistic expression, and a setting for delightful celebrations.

Some of Joyce’s favorite gardening tips:

• Use compost to mulch flower beds

• Cut back perennials such as phlox, perovskia, Montauk daisy, asters and sedums in June to keep them from flopping

• Use lots of annuals in the garden for pops of color

• Fertilize pots weekly. Joyce uses Neptune’s Harvest fish emulsion

I met Joyce and Charlie on a tour of gardens in the Scottish Highlands sponsored by the Natick Garden Club. Their friendliness, humor and passions for gardening, wine and good food made the trip really fun. Joyce’s Natick, Massachusetts garden is open on the fourth weekend in July from 10 am to 4 pm, and from June to Labor Day by appointment. Admission is $15. Please contact Joyce at joycesgardennatick@gmail.com.

Joyce’s Garden is one of 140 outstanding destinations in The Garden Tourist’s New England, available here.

Boulderwoods: A Celebration of Rhododendrons

Boulderwoods in its spring glory. All photos by Joe Bruso.

Joe Bruso picked up a brochure from the Massachusetts Chapter of the American Rhododendron Society (ARS) at the Boston Flower Show 30 years ago. Rhodies were plants that he knew very little about. Today his rhododendron collection exceeds 1,500 plants. He is president of the Massachusetts Chapter, develops his own hybrids, lectures about rhododendrons, and sells plants from his home nursery.

When Joe first saw the three-acre building lot in Hopkinton, Mass., that would become his current home and garden, he realized that it would be the perfect setting for his gardening hobby. Glaciers had carved hillocks and valleys and deposited huge boulders throughout three acres of woodlands. After building their house, Joe and his wife set about clearing the lot in small chunks—digging out understory shrubs and saplings and culling trees that were diseased, short-lived, or tough competitors for other plants. The remaining red and white oaks, hickories, and white pines provide a perfect canopy for Joe’s collections of rhododendrons, azaleas, magnolias, and other ornamental trees that flourish in groves among the boulders. They are underplanted with drifts of trilliums, Jeffersonia, bloodroot, epimediums, jack-in-the-pulpits, and other shade lovers.

Joe’s interest in hybridizing rhododendrons grew out of his lifelong curiosity about the natural world and his education in biology and genetics. It was fueled by the American Rhododendron Society where kindred spirits engage in learning and experimentation. He joined the Species Study Group, which focuses on the 800+ rhododendron species that have been discovered worldwide. Thanks to rapid infrastructure development in Asia and advancements in genetics, new species of rhododendrons continue to be identified and added to the genera. 

Emerging rhododendron foliage in all of its variety

Joe’s particular hybridizing interest lies in big-leaf rhodies with unusual foliage—bright red leaf bracts, pigmented leaves, silvery tomentum (wooly fuzz on top of leaves), and cinnamon-colored indumentum (velvety underside). You will see hundreds of these plants throughout the garden, some as full-grown specimens, others as year-old shrublets in nursery beds. His collection also includes more than 100 straight species, with some blooming as early as March and others as late as August.

Joe Bruso, hybridizing in his garden.

Boulderwoods is open for visiting by appointment (see information below.) Large-leaf rhododendrons are always available for sale as well as a smaller selection of deciduous and evergreen azaleas, magnolias, and other woody ornamentals. I have visited many times and purchased more than a dozen of Joe’s hybrids that are thriving in my garden. This spring I also joined the Mass. Rhododendron Society to learn more about these wonderful shrubs. Why not join us? You can find more information about the Massachusetts Chapter of ARS at MassRhododendron.org.

A cross of Janet Blair x Sappho Kalmia Hill

Boulderwoods is located in Hopkinton, Mass., and open by appointment only. Contact Joe at (508) 435-8217, jpbruso@aol.com

McLaughlin Garden & Homestead: A Maine Gardener's Legacy

PHOTO BY MARTHA EMERSON

Nestled between gas stations and strip malls, the McLaughlin Garden and Homestead has been a peaceful retreat and beloved garden for decades. It began as the private home of Bernard McLaughlin, a 38-year-old army veteran who spent winters in Florida as a hotel cook and summers growing potatoes with his father in Maine. When he bought the 100-year-old farmstead with its huge barn and massive stone walls in 1936, McLaughlin set about creating an ornamental garden.

PHOTO BY MARTHA EMERSON

McLaughlin was a self-taught gardener with no formal horticultural training. He began with a bare, unproductive pasture, and over the decades he transformed it into a lush garden with mature trees, wildflower borders, and shrub collections. He read voraciously, joined plant societies, and befriended other gardeners. Mostly he learned by tending the garden single-handedly for almost 60 years. Lilacs were one of McLaughlin’s favorite plants, and he planted 200 lilac bushes of 125 varieties in his garden. He added specimen trees and underplanted them with hostas, coral bells, lily of the valley, columbines, and ferns. Over the years, many of them naturalized to form breathtaking swaths. In sunny areas he created beds of daylilies, irises, and phlox, and he planted a border of Maine wildflowers and ferns along an old shady lane behind the barn.

LADY’S SLIPPERS, PULMONARIA AND WOODLAND PHLOX—PHOTO BY MARTHA EMERSON

“DEAN OF MAINE GARDENS” MCLAUGHLIN

DODECATHEON (SHOOTING STAR) IN THE WILDFLOWER WALK—PHOTO BY MARTHA EMERSON

McLaughlin’s generosity was legendary. Whenever his garden gate was open (which was almost always), the garden was open to visitors—neighbors, friends, and strangers. He loved to talk and teach others about gardening and earned the nickname “Dean of Maine Gardeners.” He was a plant collector who loved to share his plants with other gardeners and received many back in return. A member of the Maine Iris Society, he befriended hybridizer Currier McEwen, who named a Siberian iris with large ruffled white flowers in his honor. 

iris Siberia ‘Bernard McLaughlin’

TRILLIUMS AND BLEEDING HEARTS—PHOTO BY MARTHA EMERSON

 When McLaughlin died at the age of 98 in 1995, the community was amazed to find that no plans had been made to preserve the garden. A group of local residents formed the nonprofit McLaughlin Foundation and raised funds to purchase the property in 1997. With the help of volunteers, the foundation has been restoring and enhancing the garden and keeping it open to the public free of charge. Two of the best times to visit the garden are in early May when the spring ephemerals bloom–trilliums, bloodroot, mayapples, Uvularia, and primroses—and late May when the lilac collection is at its peak. Please check the garden’s website for an opening date for 2020.

PHOTO BY MARTHA EMERSON

PHOTO BY MARTHA EMERSON

McLaughlin Garden & Homestead, 97 Main St., South Paris, ME 04281, (207) 743-8820, mclaughlingarden.org

Please check website for opening days and hours. Admission is free.

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In Defense of Weeds

By Joan Butler

One summer day a few years ago, I noticed a very large spotted white moth resting on a leaf in my crabapple tree. I was amazed by its size and distinct markings, unlike anything I had ever seen before. Eventually, I tracked down its name – it was a Giant Leopard Moth. And I learned that in its caterpillar stage, it dines on broad leaf plants such as plantains, dandelions and violets. These are usually considered weedy plants, and are aggressively eradicated from lawns and gardens. But here was a creature that relied on them as a food source!

Giant Leopard Moth

This past summer, I had two new types of butterfly visit my garden. Once again, I had to do some research to figure out what they were, and what their larvae fed upon.

Red Admiral

The first were Red Admirals. They busily worked on the pink coneflowers in my backyard – what a joy! When I read what their caterpillars ate, though, I was puzzled: nettles and hops, which were not plants I had growing in my gardens, nor did my nearby neighbors.

clearweed

I did, however, have a weed that had gone crazy in one corner of the yard. I don’t use herbicides, and I was too busy to contend with it manually. I finally identified it as Clearweed, and learned that this eastern US native is a non-stinging member of the nettle family! The hand of Mother Nature seemed clear in the relationship between the Clearweed growing out of control and the appearance of Red Admirals in my gardens.

Common Buckeye

The second new visitor arrived just as my Sedum ‘Matrona’ was entering its prime, and it busily worked the flowers alongside scores of honeybees and native bees. I came to learn that this newcomer was a Common Buckeye, but there was nothing common about it as far as I was concerned - I was thrilled. I’m sure you have already guessed that, once again, one of the preferred foods of the larval stage is a weed: plantain.

plantain

Every summer, I await the reappearance of Fritillary butterflies. They seem especially fond of the nectar of Verbena bonariensis and coneflower, but they also require the presence of violets. The female lays eggsin late summer on or near violets. The eggs hatch in fall. The young caterpillars overwinter until spring, when they begin dining on violet leaves. Without violets, which are the only plant the caterpillars consume, there would be no Fritillary butterflies.

Fritillary butterfly

common violet

Over the last decade, there has been a surging interest in including native plants in our gardens, as we have come to recognize their vital role in our ecosystem. A functioning food web is created by using plants that evolved with our native animals - and insects. And we probably should allow some weeds in the mix.

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Tulipmania in Rhode Island

In the 17th century, tulip mania swept through Europe. Now it is sweeping through New England with the establishment of the first u-pick tulip farm in Exeter, Rhode Island. With seemingly endless fields of colorful tulips, Wicked Tulips has brought a slice of Holland to New England. But here you get to take home some of the beautiful flowers, and that has people coming in droves.

Photo courtesy of Wicked Tulips

Keriann and Jeroen Koeman moved to Rhode Island and founded Wicked Tulips in 2015. Their first “green” business was selling organically grown flower bulbs in Virginia. This was a fairly novel and challenging concept for a commercial bulb nursery but important to conservationist Keriann. Jeroen grew up on his family’s 150-acre tulip farm in Holland, where the name Koeman is synonymous with tulips. Virgina turned out to be too hot for tulip growing, so the couple looked north and were attracted to Rhode Island. They planted their first u-pick fields at Snake Den Farm, and found the climate to be perfect for tulips—cold in the winter and hot in the summer, which is similar to the climate of Central Asia where tulips are native.

The u-pick tulip concept was an instant hit, with 17,000 visitors storming the farm over three weeks in the first season.

Pickers of all ages, from small children to seniors in wheelchairs, meandered through the rows with buckets in hand, admiring and selecting their flowers. From the fields they made their way to the wrapping station, where their tulips were carefully wrapped in brown paper for the journey home.

Since 2015 the Koemans have tripled the size of their gardens and now grow more than 800,000 tulip bulbs of 100 different varieties. Their farm includes an early and late field as well as a display garden with 5,000 unusual tulips. Tickets must be purchased in advance, and each ticket includes 10 free tulips. Visitors should check the farm’s website or Facebook page to get the exact dates of the picking season and for a daily “Bloom Report” that indicates which varieties are in bloom. Wicked Tulips also sells tulip bulbs for fall planting.

Note new location: Schartner Farms, 1 Arnold Place Exeter, RI

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Garden of Tropical Delights: Marie Selby Botanical Gardens

Located on the shore of Sarasota Bay, Marie Selby Botanical Gardens is the only botanical garden in the world dedicated to the study and conservation of epiphytes—or air plants—like orchids, bromeliads and gesneriads.

Bill and Marie Selby came to Sarasota from Ohio, and built a modest 2-story Spanish-style house in the early 1920s. Despite their enormous wealth from oil and mining industries, the couple lived a quiet, unpretentious life, and became active philanthropists in the community. They both loved the outdoors–boating, fishing and riding, and Marie was consumed with nature and gardening. She designed the landscape around their home, and was a founding member of Sarasota’s garden club. When she passed away in 1971, she left her property to the community as a botanical garden.

photo courtesy of business observer

A visit to the Selby Gardens usually begins with a tour of the Tropical Conservatory filled with thousands of exotic, colorful plants. It takes seven on-site greenhouses to supply the Conservatory with blooming specimens. These greenhouses hold the most concentrated collection of epiphytes in the world, including 6,000 orchids, and you can enjoy the annual orchid show in February and March. From the Conservatory, you pass through a bonsai collection, the cycad garden and a fern garden.

Marie planted several bamboo groves in the garden, primarily to hide unwanted views.

The Koi Pond and Waterfall is one of the loveliest spots in the garden. Shaded by surrounding trees and accented with statuary, this garden is a serene retreat.

Past the Selby House you will find an impressive stand of Banyan trees that were planted in 1939, and an immense Moreton Bay Fig, with buttress roots that form a maze around its base. This grove of trees is the centerpiece of the Children’s Rainforest Garden, complete with waterfall, canopy walk, rope bridge, grass huts, and a play research station.

Winding trails lead through a cactus and succulent garden, palm grove, hardwood hammock, and native plantings.

Since Selby Gardens is located on a peninsula, there are lovely views of the bay with seating areas where you can relax and enjoy the view. A wooden walkway leads through native red, white and black mangroves, which are critical to Florida’s ecosystem and prevent erosion of the shoreline. 

Next to the Payne Mansion, which houses the Museum of Botany & the Arts, you will find a bromeliad garden, butterfly garden, and an edible garden. 

Wonderful as a public garden, Selby is even more impressive as a research institution. Since its founding, Selby botanists have participated in more than 200 expeditions to study and collect plants. Genetic properties of plants are studied in its molecular lab. Selby’s Herbarium contains more than 113,000 dried specimens, and the Spirit Collection contains more than 28,000 vials of orchids and gesneriads preserved in fluid. The Selby Research Library holds thousands of books, journals, prints and digital images documenting plant systematics, evolutions, horticulture and economic botany. 

Marie Selby Botanical Gardens, 811 S. Palm Ave., Sarasota, FL 34236, (941) 366-5731 selby.org

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Planting Natives for Wildlife

Guest Post by Trista Ashok

For the next two years, garden clubs across Massachusetts are joining an initiative to encourage the planting of native plants. There are some great reasons to choose native plants for our gardens.  Native plants are adapted to our local climate and soil conditions and thus can be easier to grow.  They are also a very important part of the local food web, providing seeds, pollen, nectar, and forage for our wildlife.  The leaves of native trees and plants play host to many butterflies and moths, and many birds rely on those caterpillars for food, especially for their babies.

While most might think that a garden full of plants with pristine, uneaten leaves is prettier and more desirable, this is a detrimental environmental landscape. We actually need leaf-munching caterpillars and other insects in our garden. Dr. Doug Tallamy, the author of Bringing Nature Home, found that a pair of Carolina Chickadees feed their babies up to 9,000 caterpillars before they fledge. Most songbirds do not reproduce on a diet of berries and seeds, but instead need a protein-rich diet of caterpillars and insects during the breeding and nesting season. And the vast majority of our native, plant-eating insects only feed on particular plant species that they have adapted to over time – which means they need native plants. Our native oak trees are hosts to over 550 different species of caterpillars, for example, while the non-native ginkgo only hosts 5. Our native trees and shrubs act as giant birdfeeders in addition to being hosts for our butterflies and moths. Unfortunately, it is estimated that the average urban/suburban American garden is made up of only about 20% native plants – far less than the 70% that birds such as the Carolina Chickadee need to provide enough insects to sustain their population.

So what are the best plants for wildlife to put in your garden? The National Wildlife Federation has built a database of plants and the number of butterfly and moth species that use them as host plants.  You can go to their website at www.nwf.org/NativePlantFinder/Plants to see which plants support the highest number in your zip code.  For example, here are the top five plants listed in each category for Holliston, Massachusetts, along with the number of butterfly and moth species that they host:

Flowers and Grasses:

1.  Goldenrod (Solidago) – 125

2.  Strawberry (Fragaria) – 81

3.  Sunflower (Helianthus) – 58

4.  American Trefoil (Lotus) – 32

5.  Joe-pye Weed (Eupatorium) – 31

Trees and Shrubs:

1.  Oak (Quercus) – 473

2.  Beach Plum, Cherry, Chokecherry (Prunus) – 411

3.  Willow (Salix) – 399

4.  Aspen, Poplar (Populus) – 335

5. Crabapple, Apple (Malus) – 291

What about cultivars?  Many of the native plants we find at nurseries are not straight species, but are instead cultivars, often called ‘nativars’.  These nativars can be a particular variety found in the wild, or they can be bred for a particular feature. But are they as attractive to wildlife as the straight species?  Research is ongoing, but they have found that it really depends.  Plants that were bred to have different leaf colors, such as leaves altered from green to red, were found to deter insect feeding, as different colored leaves have different compounds in them. Also plants that were chosen for showier flowers or doubled flowers with more petals were often found to be less attractive to visiting pollinators. Take for example the ‘Annabelle’ Hydrangea.  ‘Annabelle’ is a naturally occurring cultivar of our native Hydrangea arborescens that was discovered in the wild near Anna, Illinois. It was chosen for its huge flowers, but those ‘flowers’ are actually full of sterile bracts and even the few fertile flowers they have are very poor in nectar.  It is found that pollinators visit ‘Annabelle’ and other mophead varieties much less than they do the lacecap varieties that more resemble the straight species and are full of tiny, fertile flowers in the middle of the showy, non-fertile bracts.

 Another issue is that some of these nativars are developed by European breeders, and resistance to North American plant diseases is not considered. This is how we end up with Bee Balm (Monarda) varieties that are so prone to powdery mildew. Researchers at several botanical gardens are now starting to investigate which varieties of nativars are best for our garden and for wildlife. Many of the cultivars that are chosen for size or compactness are found to be just as beneficial, but much more information is needed about plants bred for different flower sizes or colors.  Many nativars still support more local wildlife than a lot of non-native plants, however.

So should you tear all of the non-natives out of your garden and plant only straight native species? While some may choose that route, I am personally going a more balanced approach, as it was the non-native Clematis ‘Rooguchi’ that sparked my gardening passion in the first place.  When choosing new plants for our garden, however, we should consider native varieties that will benefit our local wildlife and ecosystem.

Trista Ashok is past president of the Holliston Garden Club.

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Newport's Blue Garden

The most coveted invitation of the 1913 Newport summer season was for the Masque of the Blue Garden, an inaugural soiree for the magnificent garden created for Arthur Curtiss James and his wife, Harriet Parsons James.

Three hundred guests were greeted by Harriet James, who was clad in a blue 16th-century Italian gown embroidered with sapphires and amethysts and crowned with an ornate diamond-studded headdress. After an Italianate pageant staged by professional entertainers, a trumpeter led guests into the James mansion for dinner and dancing.

Arthur Curtiss James made his fortune in copper and the railroads. A private man and one of America’s least-known millionaires, he was happiest sailing his yacht on the sea. Harriet was a vivacious socialite who enjoyed entertaining, fine homes, and beautiful gardens.

When the Jameses built their Newport mansion, Harriet hired Frederick Law Olmsted Jr. to design a secret garden in a monochromatic color palette of blue. Flowers in ethereal shades of sapphire, azure, periwinkle, purple, violet, lavender, gray, and white reflected the sky and surrounding ocean. To keep the garden looking fresh from spring through fall, the beds were replanted several times each year by a staff of 40 gardeners. With its graceful design and signature color scheme, the Blue Garden became a Newport showplace and the site of lavish parties and garden tours. 

After both Jameses died in 1941, maintenance of the Blue Garden suffered. In 1967, the mansion was devastated by fire and demolished, and the property was subdivided into house lots and sold. The once-glorious Blue Garden disappeared under a thick covering of invasive trees and vines.

In 2012 philanthropist, preservationist, and horticulturist Dorrance Hamilton funded the restoration of the garden. Hamilton was an important member of Newport society, a benefactor of Blithewold and the Philadelphia and Newport Flower Shows, and a neighbor of the Blue Garden.

Completed in 2015, the renovation of the Blue Garden reflects Olmsted’s design intent but utilizes a 21st-century plant palette that allows for simplified maintenance.

Enclosed by low walls, trellises, and a columned pergola, the Blue Garden is classical in layout with a cruciform shape. A long reflecting pool, lined with Persian-inspired blue tiles and fine spray jets, is connected with a runnel to a square lily pond.

Boxwood, Caryopteris, and ‘Twist-n-Shout’ lacecap hydrangeas provide structure, while beds of mixed perennials, annuals, and bulbs create a long season of bloom. You will find perennial salvias, balloon flowers, phlox, monkshood, asters, false indigo, and delphiniums augmented with annual bachelor buttons, lantanas, morning glories, plumbago, lobelias, and agapanthus. Cobalt blue ceramic pots accent the plantings. The Blue Garden is once again a showplace in Newport thanks to the creativity and dedication of two amazing women.

Excerpted from The Garden Tourist’s New England by Jana Milbocker.

The Blue Garden, Newport, RI 02919, thebluegarden.org

Hours: June 13–Oct.10: 11 am & 2 pm, by appointment only. Admission: $15, online tickets required

Kykuit: The Rockefeller Esta

October is a lovely time to visit gardens that have strong architectural features and autumn leaf color. Kykuit in Westchester County, New York, offers beautiful architecture, stunning views, and world-class artwork.

photo from hudsonvalley.org

The Kykuit estate was home to four generations of the Rockefeller family and features a grand mansion, beautiful gardens, extraordinary art, and spectacular scenery. It has been meticulously maintained for more than 100 years, and is a site of the National Trust for Historic Preservation. Kykuit is accessible by formal tours only. There are four to choose from, ranging from 1-½  to 3 hours in length, depending on how much you would like to see of the mansion;, the Coach Barn, with its collections of classic automobiles and horse-drawn carriages; and the gardens. Only the Landmark Tour and Grand Tour offer access to all of the gardens.

Kykuit, Dutch for “lookout” and pronounced “kie-kit”, is situated on the highest point in the hamlet of Pocantico Hills, overlooking the Hudson River at Tappan Zee. It has a view of the New York City skyline, 25 miles to the south. The imposing mansion, built of local stone and topped with the Rockefeller emblem, is located centrally in a 250-acre gated inner compound within the larger Rockefeller family estate. 

The 40-room mansion was built in 1908 by John D. Rockefeller, founder of Standard Oil, and the richest man in America in his day. The initial plans for the property were developed by the company of Frederick Law Olmsted. Rockefeller was unhappy with their work, however, and assumed control of the design himself. He created several scenic winding roads and lookouts and transplanted mature trees to realize his vision. 

John D. Rockefeller with his family. John D. junior is standing in the back.

In 1906, the oversight of the house and grounds was given to son John, who hired landscape architect William Welles Bosworth. Kykuit is considered Bosworth’s best work in the United States. The design is loosely based on traditional Italian gardens, with strong axes, terraces, fountains, pavilions, and classical ornamentation. The terraced gardens include a Morning Garden, Grand Staircase, Japanese Garden, Italian Garden, Japanese-style brook, Japanese Teahouse, loggia, large Oceanus fountain, Temple of Aphrodite, and a semicircular rose garden. With stairways leading you from one level to the next, the garden invites movement and views.

John Rockefeller planned to use the house only in spring and fall, so trees were selected for their spring bloom, such as cherries and dogwoods, or for their autumn leaf color, such as the Japanese maples. Wisteria is one of the prevailing plants that ties the garden together—you first see it on the front façade of the house, and then it reappears on walls and pergolas throughout the garden. Fountains are another signature element, from the replica of a Boboli Gardens fountain with a 30-foot statue of Oceanus that greets you in the forecourt, to 39 other fountains that punctuate the garden rooms. The inner garden has a Moorish theme, with a canal and a small fountain featuring a sculpted fountainhead and bronze swans. The gardens, which took over seven years to install, were completed in 1915, and exceeded their budget of $30,000 by one million dollars. 

Governor Nelson Rockefeller, the last private owner of Kykuit, transformed its basement passages into a major private art gallery containing paintings by Picasso, Chagall, and Warhol, as well as extraordinary Picasso tapestries. Between 1935 and the late 1970s Governor Rockefeller added more than 120 works of abstract and modern sculpture to the gardens, including works by Picasso, Brancusi, Appel, Arp, Calder, Moore, and Giacometti. He precisely and skillfully sited the art to complement the classical formality of the garden and create stunning views. Their inclusion in the garden elevated it from a beautiful classic garden to an extraordinary experience of architecture, horticulture, and art.

Kykuit, 381 N. Broadway, Sleepy Hollow, NY 10591 , (914) 366-6900, hudsonvalley.org/historic-sites/kykuit

Hours: Oct: daily except Tues. Nov. 1–13: Thurs.–Sun., some holidays. Admission: Tours $25 and up

A Walk on the Wild Side

By Joan Butler

My husband and I are avid hikers and campers. We love hiking on trails and woodland paths, and along streams and lakes. Another love is gardening. But gardening is a bit of a curated affair, whereas hiking offers us the chance to connect to the wild world, and take in the beauty and complexity of life around us. 

The New England landscape is uniquely beautiful in every season:  from the frosted silences of winter, to the exuberance of spring, to the lushness of summer. Autumn and late summer have their own special charm, with a gentler, but no less beautiful, aspect. 

Meadows and fields of goldenrod and other wildflowers staged beneath a clear blue sky, with the angle of the sun low, are breathtaking. Goldenrod (Solidago sp.) is stunning, and is a workhorse throughout the growing season, typical of many of our native plants. Its foliage feeds a variety of butterfly and moth larvae and its bright flowers (a textural delight!) are an important food source for migrating Monarchs and dozens of pollinators.

Late summer is the season for the beautiful blooms of asters. Most asters are sun-lovers, but the white woods aster (Eurybia divaricata) is unusual, growing in shade in dry open woods. It is very tough and very showy, with dark stems and white flowers. It readily reseeds, creating stands of misty white in the woods.

Indian Pipe (Monotropa uniflora) may look like a fungus, but it’s not. It is a small white herbaceous perennial with an interesting survival strategy. Lacking green pigment, it is unable to photosynthesize (produce food). It survives by sapping nutrients and carbohydrates from tree roots using an intermediary: myccorhizal fungi. Also called Ghost Pipe, it can be found rising through leaf litter on the forest floor.

The bright flowers of Steeplebush (Spiraea tomentosa) are noticeable from a distance, and their form certainly references their common name. Its pink spires are a late-season source of food for butterflies and other insects. This suckering native shrub can be found basking in the sun in moist soil near lakes and streams.

Nearby, you may also find the unusual flowers of white turtlehead (Chelone glabra). Easy to see how it got its common name! Its primary pollinators are bumblebees strong enough to pry open the two-lipped corolla in order to reach the pollen and nectar inside. And they really have to work at it: a bumblebee I recently watched made numerous attempts and false starts before it got the hang of it. And I have to mention that exiting seemed a challenge, too! Turtlehead has a particularly important eco-function as a primary larval host plant of the Baltimore Checkerspot Butterfly.

Another lover of moist conditions is cardinal flower (Lobelia cardinalis). Ahh…that brilliant red! It draws us in like a magnet. The long tubular flower form is difficult for most insects to navigate, but the flowers are very attractive to hummingbirds, hummingbird moths and butterflies. 

These are just a tiny sampling of the fascinating, beautiful plants to be found in our woodlands, meadows and lowlands. Initially attracted by their beauty or color or location, I eventually come to marvel at the overall picture: the inter-relatedness of life around us. Just by taking a walk on the wild side.

Mytoi: A Serene Island Garden

There are few Japanese gardens in New England, so it is unusual to find one gracing the tiny island of Chappaquiddick for almost 70 years. In 1954 Mary Wakeman purchased land in Chappaquiddick for a summer home, and hired Edgartown architect Hugh Jones to design her a Japanese-style house. As payment, she sold him a 3-acre parcel across the road from her house for $1.

Jones had developed a love of Japanese gardens during his military service. He began his own Japanese-style garden by scooping out a pond in the midst of the pitch pine forest, and building a little red bridge. He planted rhododendrons, azaleas and junipers. He did all of the landscaping and planting himself, and spent so much time on his garden that he referred to it as his "toy." He named the garden "my toy," which he spelled “M-Y-T-O-I” as we see it today.

When Jones died in 1965, his heirs sold the property back to Wakeman, who managed the garden and provided free access to the public. She donated the garden along with an endowment and an additional 11 acres of land to the Trustees in 1976.

When Hurricane Bob descended on Chappaquiddick in 1991, it decimated more than 70% of the plantings. Only a few of the original pitch pines, azaleas and rhododendrons survived the onslaught. The Trustees hired the team of Don Sibley and Julie Moir Messervy to develop and implement a reconstruction plan. Sibley is an artist with a strong interest in Japanese culture and gardening practices. Messervy is a renowned landscape designer who studied in Japan and was the first Western woman to be apprenticed to a Japanese master gardener.

Stewartia blossom in July

The new Mytoi garden is divided into Japanese-inspired garden rooms, with Asian plants and traditional Japanese garden elements. The entry gate is modeled after one you would find at a Japanese temple, but crafted from local black locust trees. As you stroll through the garden, you find azaleas and rhododendrons from the original garden, complemented by new birch alles, Stewartias, threadleaf maples, mountain laurels, camellias, and paths lined with Japanese primroses.

The pond is still there, but with a new zigzag-shaped bridge bordered by winterberry and beach plum. On a hill opposite the pond, a path leads to the azumaya, or traditional shelter where one would wait before entering a teahouse. A second hill topped with a bench provides a serene view of the water. The pond is stocked with koi, but due to local otters and osprey, the fish supply has to be supplemented with fresh donations every year. Mytoi invites you to slow down, to appreciate the nuances of Japanese design, and to contemplate the beauty of nature.

Hours: Daily dawn to dusk, admission $3

Mytoi, 41 Dike Rd., Edgartown, MA 02539, (508) 627-7689

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Osborne Homestead Museum: The Home and Garden of an Extraordinary Woma

By today’s standards, Frances Osborne Kellogg was an extraordinary woman. By the standards of the late 1800s, she was a force of nature—a successful industrialist, cattle breeder, philanthropist, and conservationist. When her father died in 1907 and the probate judge suggested that his companies be sold so that the family could live off the profits and Frances could go to college, the 31-year old young heiress replied, “Sell them? No. I intend to run them.”

A gifted violinist from an early age, Frances was expected to study music in college. She loved attending opera, theater and musical concerts in New York City. But an accident with a sewing needle damaged her eyesight, and Frances’ life took a different direction. Her father had taught her how to run the family business, and Frances took on the unusual challenge as a woman CEO of four different companies. All of them prospered under her leadership.

When she married New York architect Waldo Stewart Kellogg in 1919, the couple’s focus became the family dairy. The Kelloggs developed a reputation for their selective cattle-breeding program. As the family fortune grew, Frances invested in her community, supporting local organizations and building the Derby Neck Library.

Derby Neck Library

Waldo enlarged and remodeled the house in the Colonial Revival style in the 1920s, and Frances added the ornamental gardens. She had a deep love of flowers from childhood, and enjoyed attending annual flower shows in New York City. In 1910 she hired Yale architect Henry Killam Murphy to design her formal flower garden, and employed Robert Barton from Kew Gardens as her head gardener. 

French doors lead from the house and conservatory to this lovely garden, which is also visible from the street. The garden is bisected by a white trellis fence accented with red roses, purple clematis, and yellow honeysuckle. A central arbor provides benches where you can sit and enjoy the beauty and scents of the flowers. One half of the garden is dedicated to Frances’s favorite flower, the rose. Four rectangular rose beds are enclosed by long borders of old-fashioned favorites such as foxgloves, irises, goats beard, and salvias. The other half of the garden is a formal perennial garden of bearded iris, peonies, daylilies and sedums. Four beds of standard roses, weigela and boxwood surround a circular bed accentuated with a sundial.

The garden is bordered on one side by a long stone wall, with steps that lead to beds of lilacs and other ornamental shrubs and trees. On the slope above the formal gardens, a rock garden has been created with conifers, ferns and perennials. Peak time to see the garden is mid May to mid June.

Frances’ love of gardening and nature continued throughout her lifetime. She was an active member of local garden societies, and became a sponsor of the Connecticut College Arboretum. As her interest in conservation grew, she became the first female vice chair of the Conn. Forest and Park Association. Frances lived in the family home until her death in 1956. Before she died, she deeded her entire estate to the State of Connecticut, including 350 acres for Osborndale State Park.

In addition to the garden, you can tour the restored historic home with its collection of original furnishings, antiques, ceramics, artwork and personal mementos. Frances’ doll still rests on her childhood bed and the opera cape that she wore to performances at the Met is draped over a settee.

Osborne Homestead Museum, 500 Hawthorne Ave., Derby, CT 06418, (203) 734-2513
Hours: May 5–Oct. 28: Thurs.–Fri. 10–3, Sat. 10–4, Sun. 12–4